art definitions etc

Filed under:stimulus, Links, inbox, youtube, theory, poetry, art, re-blog tidbits, pop culture, uncategorical — posted by nathaniel on 20 May 2008 @ 2:44 pm

awesome.

You need to a flashplayer enabled browser to view this YouTube video

hat tip: Ivan Durt (Frans Masereel Centrum, Belgium)


Till Joseph flies to hide the biting tears, by Doron Golan

Filed under:stimulus, reviews, Links, poetry, re-blog tidbits, art and tech, art, uncategorical — posted by nathaniel on 17 April 2008 @ 11:30 am

I had to post this beautifully understated new video work by Doron Golan.

joseph
Till Joseph flies to hide the biting tears (2008, 48MB, 5.20 min.)

Michael Szpakowski, also of DVblog, says (via rhizome):

…this is great & quite the strangest thing you’ve ever made. The tone is quite disturbing, made me quite nervous, but it’s also beautiful. In particular there’s one moment near to the end with lots of effects when there’s just some of the most beautiful shades of green *ever* on the screen.

Also I had an epiphany whilst watching - I realised one particular move I love in your editing ( and it lends it so much of its personal quality and power) -it’s like a sort of “half-jump-cut” - we move from one position of a person to another, sometimes with a slight zoom in or out or a slight change of angle but the continuity is both manifestly broken and somehow retained. It *is* a jump cut but in your hands it
doesn’t have the brashness that one might associate with that term. It’s amazingly potent.

Do you shoot with that sort of thing in mind, zooming in and out with a mind to removing some of the intervening footage?

I like the performance too, understated but effective…

The effects are the thing I find strangest - they are so in-your-face and contrast so markedly with that lovely B&W look you achieve. The little buzzing objects ( for want of a better description) put me in mind of the helicopter in the Tell Aviv portraits..

The symbolism (again for want of a better word) is so intensely personal, or at least hermetic that at this end of your work there’s a flavour of Blake. I couldn’t exactly logically justify that assertion but it *feels* true to me…


Ingrid Michaelson chat

Filed under:Links, inbox, poetry, music, re-blog tidbits, pop culture, uncategorical — posted by nathaniel on 07 February 2008 @ 2:07 pm

I wrote this post on a long lost high school friend and current rock star a while back, and so it seems some Ingrid Michaelson fans (good taste ladies and gents) are winding up on my blog. If you are one of them, you should be aware of a live chat with Ingrid this weekend. (I won’t be able to make it, unfortunately.)

Chat Live with…
Ingrid Michaelson
Sat, February 9
@ 7PM EST

- Ingrid will be answering questions from her webcam
- Visit Ingrid’s myspace page and look for the embedded meebo chat room to join.

I should add that I have been regularly listening to “The Way I Am” and “Breakable” since putting them on my iPod (”Keep Breathing” too), and they seem to have more impact on me with each listen.

Ingrid on iTunes:
Ingrid Michaelson


ingrid michaelson

Filed under:stimulus, flickr, Links, poetry, music, me, re-blog tidbits, pop culture, uncategorical — posted by nathaniel on 17 January 2008 @ 12:57 pm

ingrid_michaelson.jpg

I rarely look up a song I’ve heard on television. Maybe on a late night show now and again (I think I found Corinne Bailey Ray thanks to a meta-late night show, Studio 60), or something in a movie, but on TV, not so much. But after the third time I had turned to my wife and said, “This is actually quite a beautiful song; and I think it may be the same artist as the last time I said this,” while watching Grey’s Anatomy, I caved and looked it up on the internet. I was shocked when I found Ingrid Michaelson’s name. Via Wikipedia:

Michaelson was born to artistic parents — composer Carl Michaelson and sculptor Elizabeth Egbert, who is the Executive Director & President of the Staten Island Museum. She took up piano at age 5. She had trained until age 7 at Manhattan’s Third Street Music School and continued for many more years at the Jewish Community Center of S.I.’s Dorothy Delson Kuhn Music Institute. There she met vocal coach Elizabeth McCullough, who worked with her through high school. She is a graduate of Staten Island Technical High School and Binghamton University, where she received a degree in theatre.

“Hey, Nathaniel,” you might ask, “didn’t you go to SI Tech?” Yes, I did, and Ingrid and I were pretty friendly for a short while. In fact, next time I’m at my folks’ place (though that may be a year or so in the making), I’ll go and dig up some photos of us (real photos? not on flickr? Yeh, we’re talking old school disposable camera photos circa 1994/1995).

This isn’t, of course, to take any ownership of Ingrid, her talents or her success. Probably more accurately, I knew the girl who would some day grow to be the woman pictured above (though she doesn’t look as if she has aged a bit. Of course, her lyrics reveal a maturity that says otherwise….). I’m sure neither one of us is the same person. But despite that recognition, I can’t help but feel a sense of - not pride, as that would indicate I played even a small role, which I did not - satisfaction.

I think this satisfaction comes from bearing witness. Ingrid has the same ‘humble beginnings to myspace find to nearly a rock star’ bio on her web site, in the NY Times, and various other places (that last link is a nice interview). But I know it not as a press release - it’s all true. I’ve been to her house on Van Duzer Street on Staten Island; I’ve met her parents; I’m pretty sure I was even in a school show with her (yes, I used to sing and play music in a past life…). Even back then (she was 14 or 15 when we met), Ingrid was generous, quirky, did her own thing, down to earth (see aforementioned interview), and had a similar style to the one she has now: I liked her immediately.

We haven’t been friends since I graduated in 1995, but I do remember running into her, must’ve been around 2001, when I was at NYU; I don’t remember much about the conversation (other than the standard, Staten Island / high school friend thing of poking a bit of fun at each other), but I recall that she was content doing a bit of acting, playing music, figuring things out. I looked her up a few years later (around the time Friendster was popular and I also was feeling minor nostalgia/homesickness living in Johannesburg, so looking up high school buddies), and found her web site and downloaded a few MP3s. Still doing her thing. I had meant to email her and say how I liked the tracks, but never got around to it, and my guess is that she’s pretty aware of the fact that lots of people like them by now :)

It’s just nice to see, you know? It’s a real story of someone who did not claw or suffer or change to get some success. She was content to do her thing before she was a rock star, and from what I can tell, she’s continuing on that track now, as she says, “taking it slow.”

Congratulations, Ingrid. I’m a different kind of fan to the one I was in our former incarnations, but you can add me as one for sure. I wish you more and more success.

Sidenote: also check out Ingrid’s “dutch pop” (ha) side project, Ingrid&Andrew

Sidenote 2: and if you like that, and speaking of talented musicians I went to high school with, also check out João Orecchia (that’s his site; here’s his myspace) - who I do still know very well; he is my daughter’s god father - and his Johannesburg-based band 5 Men 3 Missing (again, their site. myspace). Awesome stuff.


support turbulence

Filed under:theory, poetry, stimulus, creative commons, inbox, Links, music, pop culture, technology, art and tech, art, me, re-blog tidbits, uncategorical — posted by nathaniel on 26 November 2007 @ 12:38 pm

turbulence.org

Turbulence.org is one of the most important supporters of new media art and artists of the last decade, and longer. And they need your support (via my inbox, below).

Dear Friends,

We need your support. If you:

– are one of the thousands of people who regularly visit Turbulence.org, Networked_Performance, Networked_Music_Review and/or New American Radio

and/or

– are one of the hundreds of teachers who use Turbulence works in your new media/digital art courses

and/or

– are an artist who has received a Turbulence.org, Networked_Performance, and/or New American Radio commission

and/or

– have presented at or attended Upgrade! Boston (Art Interactive or Massachusetts College of Art and Design), Floating Points (Emerson College), or Programmable Media (Pace Digital Gallery)

now is the time to give something back.

We cannot continue without your help. We MUST raise $25,000 by December 31, 2007.

WHAT WE’VE ACCOMPLISHED IN 2007

In addition to an exceptional year of supporting artists through commissions, public events, and our world-renowned resource, Networked_Performance, we started a second blog called
Networked_Music_Review (NMR). On it you will find in-depth interviews with sonic artists and musicians; world-wide events highlighted in real time; a “Weekly” post spotlighting interesting works, artists and conversations; a monthly newsletter which summarizes each month’s activities; and much more.

WHAT YOU CAN EXPECT IN 2008

On November 15, NMR began launching fifteen commissioned works, several of which will premiere live at “Programmable Media II: Networked_Music,” a 2-day symposium at Pace University, New York City in April 2008.

In addition to launching 20 new commissioned works, other upcoming highlights include “Mixed Realities,” an exhibition and symposium at Emerson College, winter 2008; and “Re(Connecting) the Adamses,” a major exhibition co-presented with Greylock Arts (Adams, Massachusetts) and MCLA Gallery 51 (North Adams, Massachusetts), summer 2008.

Please make a cash tax-deductible (for US residents) contribution. No amount is too small! Pay via the PayPal button on the Turbulence homepage: http://turbulence.org. Or send a check to New Radio and Performing Arts, Inc., 124 Bourne Street, MA 02131.

Thanks.

Kind Regards,

Jo-Anne Green and Helen Thorington
Co-Directors

New Radio and Performing Arts, Inc.: http://new-radio.org
New York: 917.548.7780 . Boston: 617.522.3856
Turbulence: http://turbulence.org
Networked_Performance Blog: http://turbulence.org/blog
Networked_Music_Review: http://turbulence.org/networked_music_review
Upgrade! Boston: http://turbulence.org/upgrade
New American Radio: http://somewhere.org

I know, I know; I’m totally broke, too. But if I can throw them a few bucks, so can you.


elicit - interactive installation + dance piece

Filed under:poetry, stimulus, creative commons, youtube, re-blog tidbits, me, art and tech, technology, art, south african art — posted by nathaniel on 05 October 2007 @ 11:20 am

“elicit is a full body interactive installation that produces projected text in front of wherever the participant moves. Shown here is South African dancer Jeanette Ginslove using the piece”  — more

This work is under a Creative Commons GPL license, and has been used in several multimedia performances since late 2001.  See link above to download the ware.

You need to a flashplayer enabled browser to view this YouTube video


eat - slam poetry / video installation

Gonna spend the next few hours converting and uploading videos and video documentation to youtube, in preparation for the new web site (probably going up in a week or three). Enjoy!

“funny slam poetry about identity as constructed through mass consumerism; eat was a site-specific video installation made for a solo exhibition at the Outlet Gallery in Pretoria, South Africa” (more)

You need to a flashplayer enabled browser to view this YouTube video


iCommons Summit 07 — help us increase the number of scholarships

Filed under:poetry, stimulus, creative commons, Links, pop culture, re-blog tidbits, art and tech, news and politics, art, me, uncategorical — posted by nathaniel on 25 April 2007 @ 3:26 pm

via Lessig Blog (they do artist residencies, too!):

iCommons Summit 07 - help us increase the number of scholarships

s.png
iCommons is an entity Creative Commons helped incubate. Its purpose is to enable a platform for commons-related projects from around the world to interact — including A2K, Wikipedia, Free Software, Free Culture Movement and Creative Commons.One core project of iCommons is an annual summit. The first year was Boston. Last year was Rio. This year is Dubrovnik.

Tomorrow, CC will be launching a special fund-raising drive to raise money to sponsor scholarships to the Summit. Click here to help.


avant car guard

Filed under:music, poetry, stimulus, pop culture, re-blog tidbits, south african art, art and tech, art, uncategorical — posted by nathaniel on 14 December 2006 @ 1:32 pm

I have no idea what they sound like, or even if this is real, but don’t you want to buy this album? I do. Someone send me one? AVANT CAR GUARD

19:30 Friday 15 December 2006 at Bell-Roberts Contemporary

Skakel oor na die Donkerkant is the launch of the AVANT CAR GUARD limited edition album - Volume 1.
The publication will be on sale at the venue, with the band available to sign purchased items.

Bell-Roberts Contemporary | 89 Bree Street | Cape Town | 021 422 1100
info@bell-roberts.com | www.bell-roberts.com

avan car guard



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