new work @ Krut

Filed under:re-blog tidbits, stimulus, Compressionism, me, art, south african art, art and tech, technology, uncategorical — posted by nathaniel on 24 November 2006 @ 12:27 pm

Click to enlarge.

From DKW:

We are launching a new portfolio set by Nathaniel Stern and showing new works by William Kentridge, Deborah Bell, Colbert Mashile, Avhashoni Mainganye, Wilma Cruise, Alastair Whitton and Sean Slemon.

Join us for a drink, art and snacks.
See printmakers, Jillian Ross and Niall Bingham at work in the studio and meet the Director of David Krut Projects New York, Kate McCrickard.

Saturday 25 November 2006
140 Jan Smuts Avenue, Parkwood, Johannesburg
10am - 12pm

Limited spaces available
Please RSVP to lucy [at] davidkrut [dot] com


Happy Birthday Ellen

Filed under:me, south african art, uncategorical — posted by nathaniel on 21 November 2006 @ 9:06 pm

Ellen Papciak-Rose is so cool. And she’s 40 today. We wish her a great day.


I could not resist:

Filed under:sean slemon, re-blog tidbits, art, news and politics — posted by sean slemon on 20 November 2006 @ 5:35 am


Photo: Tom Hanson/Canadian Press, via Associated Press, New York Times
This image was just too hilarious not to post: President Bush and other leaders today at the Asian economic summit meeting in Vietnam, where U.S. officials talked of a new set of incentives for North Korea to give up its nuclear program.
There have also been serious protests at Bush’s presence in Vietnam.
I will hold myself back from deconstructing this image!


John Gerrard: Dark Portraits

Filed under:stimulus, reviews, Ireland Art, theory, re-blog tidbits, art and tech, technology, art, uncategorical — posted by nathaniel on 19 November 2006 @ 2:52 pm

Went to see this beautiful show at the Royal Hibernian Academy on opening night this week, with Ralph Borland. Not much time to write (still no internet at home), but the Smoke Tree work was just breathtaking (liked the smaller one better, and the interactivity was not really necessary - tho it did make people look at the work for longer - but what a beautiful moving image!), and the Portrait to Smiles Once a Year made me smile for so long that it kind of made up for her not smiling. Also, was especially wonderful to witness the buzzing -lack of a better word- provenance around the Dark Portraits themselves, as viewers moved in to see the dilated pupils of the subjects in Gerrard’s portraits (taken, as the title suggests, in total darkness)… Note the new "Ireland Art" category on the blog (which will include Irish and non-Irish art I see in Ireland)! John Gerrard’s site.

From the RHA site:


John Gerrard, Smoke Tree 111, 2006, Realtime 3D, 6+2 A/P



John Gerrard is an artist whose varied works investigate the emotional possibilities of digital technologies, creating pieces that allow us to question our physical and psychological identities, our relations to each other and toward the physical environment.

Working in the arena of new technology, Gerrard’s understanding and manipulation of the medium is extraordinary. He explores the rift between real and the virtual by his insistence that real space and time be programmed into the behaviour of virtual. His sculptures and images frequently hinge around the new temporal and experiential possibilities to be found in real-time 3D.

The works could be described as virtual sculptures, which makes them somewhat like film in that they are time based but are also sculptural and photographic. New works in this show include Smoke Tree (2006), a virtual sculpture with the central basis formed by an oak tree that is transformed as it emits plumes of dark and swirling carbon, creating a mesmerising and ever-changing tableau. The work operates from dawn to dusk, constantly moving around the central motif.

One Thousand Year Dawn (2005) presents a portrait of a young man on a beach, looking out to sea. There is no movement apart from the roll and ebb of the tide. The scene seems still and yet the sun rising in the screen will finish it’s journey in September 3005.

In addition, Gerrard will show a series of photographs titled ‘Dark Portraits’, which are part of an ongoing project of placing subjects in a completely dark room and then photographing with a series of flash bulbs. The sitter appears lost, staring into a void, the visual relationship with the world suspended.

Gerrard was born in 1974 and lives and works both in Dublin and Vienna, Austria. A recipient of various awards and residencies, including the Siemens Residency at the Ars Electronica Futurelab in Linz and an Arts Council residency in Banff, Canada, Gerrard has exhibited widely in Ireland and abroad. He first exhibited in the RHA as part of Eurojet Futures in 2004 and again in 2005 as part of the anthology exhibition. Gerrard is represented by Hiliger Contemporary Gallery, Vienna.

A full colour catalogue with essays by Shane Brighton and Christiane Paul, Curator of New Media at the Whitney Museum, NY will accompany this exhibition.


I speak Dublish

Filed under:flickr, re-blog tidbits, me, uncategorical — posted by nathaniel on 18 November 2006 @ 2:11 pm

We should have internet at home by Monday night it seems, and then communication will be back to normal (whatever "normal" means with my new life in Dublin - have not quite reached equilibrium yet. Hell, given the papers Nicole has to write and the various tidbits we need to do - plus all the traveling - I imagine that happening around February….). Have a few things I might want to say about some art I’ve managed to see, my experiences in Dublin so far, blahblahblah. In the meanwhile, here’s a blog from my daughter’s site, for your viewing / reading pleasure….

We slowly are getting settled into our place.


photos: “sitting sid, in the dublish living room” and “my bedroom, my bed, my sleep. go away.”

And I’m learning the finer points of high living.


photos: “feeling so high in my chair (well, not really mine, but for now)” and “my rightful place in the world!”

Not really used to the food or eating habits of these strange peoples just yet.


photos: “you can shove as much as that stuff as you want in my mouth, i know it’s not boob.” and “the aftermath”

But the scene is hot.


photos: “sidonie in autumn” and “too much apple juice!”

And, two more photos for good measure.


photos: “baby soup” and “my first art fair”


Ron Mueck at the Brooklyn Museum

Filed under:reviews, sean slemon, art, art and tech — posted by sean slemon on 16 November 2006 @ 1:07 am

This weekend, Ed Young and Christian Nerf were in town - to cause trouble. So we took a break from that and went to the Brooklyn Museum, where Ron Mueck currently has a mid-career solo on show.

If you don’t know his work, he pretty much makes small, or large scale super-realistic sculptures of humans. Average humans - not your Gwen Stefani’s or your Brad Pitt’s, just the man in the street. The work he became famous for- a small version of his father, was on show, including a 16ft(3m) long baby, having just been given birth to-still fresh with blood and the umbilical cord. There was also the spaced out village idiot on a chair-his shin bone as tall as a man. These sculptures make you fell like your on stage with the cast of a the Big Friendly Giant.
The show is very slick. Very minimalist to a degree. It is only people- all naked and clean. But the sheer amazement is what makes it work. Each hair is visible. Each wrinkle and skin blemish has been replicated, created.
The grand finale was a woman alone in bed: her head as tall as us, staring vacantly out into the distance. It was at this point that I realised that it takes some time to get past the size and realism, to the root of what Mueck is dealing with. The size almost detracts from the issues of reality, social class and expression of life experience that these works deal with- showing everyday people in various states of distress, death, depression or mental illness: the baby has just been born, the man in the boat looks as if he is about to be transported through a black hole. The women in bed seems to be contemplating whether or not to get up for work and the man in the corner seems to be trying to stop the thoughts inside his head. The village idiot-well, he’s the village idiot. We all need one as a measure. And maybe that’s what this is to some extent-a measure for us and for the artist… So that we can place ourselves in context and see where things really are and how they are for us.
Mueck communicates communication-or the lack of it maybe.
The only criticism I would have of the show is the section related to his artistic process. He drills the holes in the silicone by hand and threads them in! Each Hole!!! Each Hair!
It is fascinating to see this but I think it is a mistake for him-As it removes a level of mystery that these works have. His video of him working in his studio has a shocking soundtrack to it. But other than that you really get the sense that some of these pieces are going to jump at you.
Check out the work on the Brooklyn Museum website.
And if you haven’t been to one of their first Fridays then you should go. They are great.

Other than this Chelsea has been largely depressing. Nothing significant going on there. Makes one wonder.


still no interweb + help turbulence

Filed under:re-blog tidbits, pop culture, stimulus, me, art, art and tech, technology, uncategorical — posted by nathaniel on 12 November 2006 @ 5:08 pm

Still have no internet at home (and also no phone, given that we are going with mobile skype), so blogging will be even less than the aforementioned very little blogging whilst in dublin, thinger…. But things are moving - settled in a bit, having our first guests for dinner this evening and a friend from the Shaolin visiting next weekend, gave a presentation on my PhD proposal which seemed to go swimmingly, blablablah. This from turbulence:

turbulence.org

Dear Friends,

New Radio and Performing Arts, Inc. (NRPA) is 25 years old. Turbulence is celebrating its first DECADE, the only program to consistently commission net art for ten consecutive years. Despite the expansion of our projects, the acceleration of our support for net artists, and the valuable resources we provide in our networked_performance blog and New American Radio

Our deepest thanks to Annie Abrahams, Kate Armstrong, Diane Bertolo, Andy Deck, Onomé Ekeh, Jason Freeman, Tal Halpern, Peter Horvath, David Jhave Johnston, kanarinka, Brooke A. Knight, Steven Lam, Patrick Lichty, Michael Takeo Magruder, Michael Mandiberg, microRevolt, Mouchette, MTAA, Andrea Polli, Preemptive Media, Gustavo Romano, Yoshi Sodeoka, Nathaniel Stern, Helen Thorington, and Jody Zellen for contributing books, DVDs, CDs, archival prints, T-Shirts and more.

Please indicate which piece you would like when making your contribution. If the piece you want is no longer available, please consider making a donation anyway. Use a credit card to donate via PayPal (right) or, if you’d prefer to send us a check, please email us for details: type "Donation" in the subject line.

Allow us until January 2007 to ship your art work; if you’d like it earlier, please let us know and we’ll do our best to get it to you.

With Gratitude,

Helen Thorington and Jo-Anne Green
Co-Directors

archive, NRPA has seen a decline in its operating support. Please help us support emerging artists and technologies, and preserve our valuable archives.

Some neat stuff you can get. Check it here.


greetings from Dublin

Filed under:flickr, re-blog tidbits, me, uncategorical — posted by nathaniel on 06 November 2006 @ 1:55 pm

Dia dhuit (not that we know how that is pronounced)!

Our introduction to Dublin was a day of uncharacteristic rain - in that it spit all day, not just for part of it. We think the isle was just trying to “help” us get acclimated. Sid was none too pleased.

last days in South Africa - with visiting old friend Jill
last days in South Africa - Sid with her daddy’s old friend Jill, visiting from NYC

We tried the hop-on / hop-off bus, to learn our way around, but finding a flat proved as difficult as everyone promised, and having planned our hunting and orientation around what we did not know was a bank holiday was not as conducive to learning the lay of the land as we had hoped.

Still, we finally found a place to live in the great green city. OK, so, the bathroom is a little ratty (and no bathtub for us or Sid - got her a portable Pooh bath) and it gets a bit cold (so the heating will be pricey), but the place is a lot bigger than we thought we’d find in our price range, and in one of the most wonderful areas. Within 5-10 minute’s walk, there’s a beautiful green park with a pond and ducks and geese, a children’s play-set, an area full of restaurants (indian, italian, even a wine-tasting place - not that we can afford any of this anymore), a starbucks in the other direction (hee), and quite a few hotels and lodges for when friends want to visit. And yes, we actually have floor space for friends on a tighter budget. And, like almost everywhere in the city, we are within spitting distance of water, on several bus routes, and are just 10 mins on a bus to the vibey city center - nathaniel is already on the lookout for a used bicycle, cuz hey, it’s that kind of city (yay!). Less than one block away is our local coffee shop (free wireless!), a bookstore, and a fancy schmancy delicatessen, for when we want to treat ourselves (tho for most groceries we will go the 15 minute walk to the cheaper ‘tesco’).

sidonie in her bathtub in fron tof our dublin flat
Sidonie in her pooh-bear bathtub, and with her daddy in fron of their dublin flat

Our li’l brick building has a lot of “character” (real estate speak for old and decrepit), but we like it nonetheless. It’s not quite done with the minor touch-ups we insisted on - they are still painting and fixing a few things, and they should have cable-based internet installed next week some time (there’s no phone jack or anything!) - but we are already camping out in the bedroom and we daresay it’s starting to feel a bit like a home.

Guinness does indeed taste MUCH better in dublin (apparently, it’s not pasteurized here, and the factory offers “lessons” on the best ways to maintain pipes and serve the Brown Gold), and we’re also v. into smithwick’s (pronounced smithicks) and killkenny. (Read: nathaniel is into these, really, while nicole tastes and tries to pretend it’s from the Stellenbosch region.) We’ve been past the famous brewery’s main building, but not yet inside - haven’t had much of a chance to see the sites - but we have heard some of the stories. For example, did you know Guinness had 21 kids, eleven of which survived? Apparently, his wife was a little deaf, and at nighttime he would often ask her, “So you want to go to sleep, or what?” Her hearing-impaired response was usually, “What?” Altho we’ve not seen the attractions, we have been to Talbott street’s “cheap and cheerful” shops - “fully furnished” is not quite fully furnished, if you know what we mean….

Sid really likes people-watching in and around the city, but not being brought up within one means that she doesn’t really “get” stroller / pram culture, and insists on being carried EVERYWHERE. Not fun for our backs, even when we have her sling. We must find a way to get her into “buggy etiquette.” Tips, anyone? For those who have not heard, her first tooth erupted around the time of our arrival, and the second is already sprouting - none too comfortable for Nicole, if you get our meaning. Sid has been charming citywalkers and bus commuters all over ireland, and we expect her baby-modeling career to get its jumpstart any day now - altho, her awkward hair growth on top and not on the sides might restrict her to punk rock commercials….


This is the view just after entering Trinity College campus from the bustling street, 5 mins from the city centre. Trail along the path to the upper right of the image, hang a left through a small arch, then a right along the side of Aras An Phiarsaigh til you reach its entrance. Nathaniel’s office is on the second floor, which would be the third floor in America… We love that it’s this huge, old, beautiful campus - like Cornell, only actually old as opposed to faux old - but in the middle of a city - like Columbia, but BIG.

Nathaniel does’t spend much time in the office just yet (still setting up), and the phone is not even on, but when it is, the number will be +353 1 608 2253. He shares with three other postgrads (including Ralph), has super speed internet of ridiculous proportions (tho bittorrent is sadly blocked…), and all kinds of little geek toys he wants to sift through sit on his shelves. They gave him a good PC with a nice screen, so he’s thinking of going cross-platform with all his stuff, soon. Linda Doyle, his supervisor, is even more rad and sweet and supportive than he remembered when choosing this department. It’s going to be great working with her.

We’ve decided on not getting a landline at home, and are instead going with an internet phone. For geeks, our skype handle is nathanielstern (Hilary, this means you can call us for free from Trudy and Dan’s!), and messaging us will “call” our new skype phone once we are online. For non-geeks, all this means is that we will actually have an AMERICAN telephone number you can call - local rates for our US friends, and cheaper calls from SA! Other contact details below. We’ll give out that number to interested parties via email, once we have it.

nathaniel’s email remains the same
nicole’s email: first name dot last name at gmail
nicole mobile number: forthcoming
skype/land line: forthcoming number, handle is nathanielstern
nathaniel mobile: +353 87 913 9885

address:
Nathaniel, Nicole and Sidonie
Middle Flat
57B Morehampton Road
Donnybrook Dublin 4
Ireland

PS and FYI: We do daylight savings in Ireland; right now, we are 5 hours ahead of new york and 2 hours behind South Africa