Kaganof’s Phone Film

Filed under:pop culture, poetry, kaganof, stimulus, re-blog tidbits, art, south african art, art and tech, technology, uncategorical — posted by nathaniel on 31 January 2006 @ 9:15 am

The Sunday Times just covered Kaganof’s new project - a film shot entirely with cell phones:

‘Action!’ says the director for at least the 20th time in as many minutes, prompting the two female leads to start doing their thing at the pool table. As the girls hit the balls, chat and flirt, their movements are recorded by the cameras embedded in two of Sony Ericsson�s slick new W900i cellphones. That’s right: once this film, SMS Sugar Man, is completed, it will be the first feature film in the world to be shot entirely on cellphone cameras.

Read more.


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Next Wave Festival March 2006/ Call for work

Filed under:pop culture, theory, stimulus, re-blog tidbits, art, art and tech, news and politics, technology, south african art — posted by nathaniel on 29 January 2006 @ 3:35 pm

There’s another great art / curatorial project coming up from Cape Town-based Ralph Borland, and this one is calling for work for him to bring to a big ole festival in Australia:

I am a South African artist looking to document or exhibit your work - artwork, design and technology projects, tools, appliances, activist campaigns, sampled objects, as well as music, games, publications and other media - for my contribution to the Next Wave Festival in Melbourne, Australia, in March 2006. The Next Wave Festival this year is part of the cultural program of the 2006 Commonwealth Games, and it takes as its provocative theme the old name for the games - ‘Empire Games’.

I am acting as artist and curator, producing an exhibition and social space called ‘Sideshow’ within and around a shipping container, one of over 30 in a large warehouse space. My focus is on creative tactics for resistance and subversion.

For more information and images around the project, examples of the kind of projects I’m looking for, and information about myself and my work, please consult this link:

http://ralphborland.net/art/nextwave.html

For practical reasons, most projects will be represented through printed and digital documentation, except where the work does not need to be returned - there aren’t sufficient funds available for the transportation of work.

Please contact me at the email address below with information about your work. No large attachments to start with please. I look forward to hearing from you! I would also appreciate you passing this email on to appropriate forums and individuals.

Please contact me as soon as possible, and before the 20 February 2006.

Ralph Borland

His sideshow call for work uses has keywords:
progressive technology. appropriate technology. subversive technology. illegal technology/ political art. resistance art. subversive art. illegal art. brand art/ hacking. modding. sampling. remaking. satirising/ politricks. tricknology/ gallery. workshop. museum. carnival. clubhouse. shebeen. sideshow


yowza stuff

Filed under:theory, Compressionism, me, art, art and tech, technology, south african art — posted by nathaniel on 28 January 2006 @ 6:32 pm

Been busy all day working on the implicit body full chapter with Nicole (yes, world, that’s a new URL!).  Wow, although academic writing is exciting and exhilarating, I sometimes forget how draining and exhausting it can be.  Bit by bit….

In other news, MacFormat Magazine has decided to do a li’l back-page feature on me and Compressionism, with full color pix and a bit on the series. Major geek points for me! That’ll be in issue number 168 or 169, so out in the UK in about 3 months, 5 months to get to South Africa (that’s a guess).  While I’m on the mememe and mymymy press kick, the next NY Arts Magazine, which also as a feature on yours truly, should be out in the next week or so, and apparently Ralph Borland will be writing next month’s Artthrob Artbio on, you guessed it, me.

It’s all fits and starts, and I’m having a good month, but I’m guessing it’s just karma for my blogging and SAartsEmerging efforts, and since nobody wrote about my and Marcus’ last duo show….
Almost forgot! Christo and I have been officially approved to start "The Upgrade! Joburg." More on that, here.  Watch this space for when our monthly meetings start.


Jew Talk, I listen

Filed under:pop culture, stimulus, re-blog tidbits, me, news and politics, uncategorical — posted by nathaniel on 27 January 2006 @ 9:07 am

My friend Amy sent me this great email about how the Jewish conversational style (especially those from, ahem, New York and of, ahem I say again, Eastern European descent) is about engaging through emotional story-telling, interrupting, and changing topics. See, I am listening and I do love you. Check it:

Interrupters? Linguist says it’s Jewish way
DEBORAH N. CYMROT
Washington Jewish Week

WASHINGTON — The next time someone accuses you of interrupting, you might want to explain that you are not being rude: You’re actually engaging in "high-involvement cooperative overlapping."

Cooperative overlapping — talking as another person continues to speak — is typical of Jewish conversational style, according to linguist Deborah Tannen, and can be a way of showing interest and appreciation.

Tannen had a standing-room-only crowd of more than 200 nodding and laughing with recognition as she delineated typically Jewish patterns of conversation during a recent lecture on Jewish conversational style at Georgetown University.

Tannen, 54, is a professor of linguistics at Georgetown and author of many scholarly and popular works, including the best-selling "You Just Don’t Understand: Women and Men in Conversation" and "That’s Not What I Meant!: How Conversational Style Makes or Breaks Relationships."

Jewish conversational style is not a precise term. Not all Jews exhibit its characteristic features and not all people who exhibit them are Jewish, according to Tannen. But the pattern of conversation found among many Jews from New York and its environs, especially those of Eastern European origin, differs in significant ways from that of most non-Jewish Americans from the South, Midwest and West.

In an interview prior to her talk, Tannen discussed her analysis of Jewish-style conversation. Along with cooperative overlap, she said Jewish-style conversational patterns include a "fast rate of speech, the avoidance of inter-turn pauses and faster turn-taking among speakers."

In a conversation among Jews, participants find the simultaneous talk and quick turn-taking unremarkable; they interpret silences and pauses as evidence of lack of rapport and/or interest.

But those not accustomed to that style, according to Tannen, may see such active listening behaviors as rudeness, verbal hogging and lack of interest in the speaker. The very characteristics that promote good conversation among the in-group can create discomfort or hostility among mixed groups.

Beyond that, people make judgments about the personality of individuals based on conversational style. According to Tannen, negative stereotypes of New York Jews as pushy may be the result of clashing linguistic patterns rather than character flaws.

Different conversational styles of couples, where one person is Jewish and the other is not, may contribute to the initial attraction, Tannen said. Someone quieter may seem mysterious and wise, while somebody more talkative can seem articulate and smart. But over time, the differences in style, particularly in close relationships, can be difficult. "You think you had good intentions, and they think you had bad ones," she said.

Other features of Jewish conversational style include a preference for personal topics, abrupt shifts of topics, unhesitating introduction of new topics and persistence in reintroducing a topic if others don’t immediately pick up on it.

Jews also tend to tell more stories in their conversations, often in rounds; dramatize the point of a story instead of putting it into words; and focus on the emotional experience of it.

People whose regional and ethnic background promotes a different way of conversing may not "get the point" of these rounds of story-sharing with no real plot, she said. They also may find the expectation of personal revelation unnervingly intrusive.

Tannen believes the sound of Jewish-style talk — pitch shifts, changes in loudness, exaggerated voice quality and accent — can signal concern and empathy as well as reinforcing a shared ethnic background among Jews. Or they may put off people more used to a restrained, less expressive way of speaking.

As participants milled around or were leaving following the talk, clusters of people analyzed their own talk.

"There were four of us chatting together and we started laughing," said Julie Epstein, the coordinator for Jewish graduate student programming at Georgetown. "We suddenly saw just how much we were using Jewish conversational style."

Who loves you and who do you love?


Successful site visit

Filed under:stimulus, franci cronje, art, technology, art and tech — posted by franci on 26 January 2006 @ 1:03 pm

A great number of sculptors rocked up, looking at the new site for the DST building. Thanks to everyone. If you could not make it and want to stay in the loop, just leave me a message on the comments page, and i will get back to you!

science and technology site visit


editor monkey

Filed under:technology — posted by nathaniel on @ 9:22 am

I found this fantastic plugin for Wordpress 2.0: editormonkey. She’s a rich text editor with spell check, etc, that is not that buggy for the new Wordpress 2.0.

The spell check is a bit of a pain to set up, and I’m having problems to get it to work on the comments form, but other than that, it’s real dream, and much better than the Wordpress version. w00+!

editormonkey rich text editor
editor monkey rich text editor toolbar


upgrade in process

Filed under:me, technology — posted by nathaniel on 25 January 2006 @ 10:52 am

Well, all the plug-ins (or at least comparable ones) that I want are finally available for Wordpress 2.0, so am upgrading right now. Please forgive if "email to friend" is broken for a li’l bit, and lemme know if you encounter any other bugs. The only thing I’m changing on the front page is that I may add in a print function, other than that it’s all interface stuff on the back end. Know that life will be easier for me and the guest bloggers in a few hours!

We’re all good! Still working on getting the spell checker to work, but that’s not completely urgent… Happy reading! 


lisa brice @ goodman gallery

Filed under:flickr, art, south african art — posted by nathaniel on 24 January 2006 @ 5:25 pm

lisa brice @ goodman gallery

Just came from the goodman gallery, where Lisa Brice - a South African living between London and Trinidad - exhibits a beautiful solo exhibition. Hauntingly and haltingly ripe, she uses a limited palette of grays, blues and greens to evoke senses of loss and wonder. Check out my new review section on flickr for more photos from the show.


more Compressionism

Filed under:theory, pop culture, stimulus, flickr, Compressionism, re-blog tidbits, me, south african art, art and tech, technology, art, uncategorical — posted by nathaniel on 22 January 2006 @ 1:53 pm

nude descension

The new text, images and video are up at Compressionism.net. I think the most exciting bit is probably the new video, with some great footage of "action Jackson" and my Compression methods and images - thanks to Franci Cronje, Nicole Ridgway, Lara Rivera and Colleen Alborough. "action" is the new custom-made and fully portable appendage for 360-degree Compressionist scans, and there’s a great stop-frame of him from all angles.

Compressionism is a digital performance and analog archive. In the current studies, I compress bodies, spaces and objects by traversing their surfaces with an image scanner, along varying 3-dimensional paths - literally, I glide, run, hover and swoop across windows, trees, or lilies while the scanner head is in motion. The resulting digital images, which are transfigured down to the size of a small piece of paper, are then re-stretched to their original size, sometimes cropped or colorized. The final prints ask us to ‘look again’ at the relations between subjects, objects, actions and perceptions.

 related: thanks to Daniel Hirschmann for pointing me to this Boing Boing post about Mike Golembewski’s scanner photography (currently down from linkage overload; mirrored at http://www.findacomputerguy.com/scannerphotography.com/index.html). Basically, he’s turned his scanner into a (very) large format pinhole camera - beautiful stuff!



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